Let's hope something actually happens this week, eh?
Episode 3 is as wonderfully constructed as ever. It has a beautiful score, stunning cinematography and breathtaking performances from the cast, especially Jodie Whittaker. These three elements, perfectly blended, manage to capture a visual sense of grief and I can actually enjoy these sequences now things are actually happening around it.
One of the biggest problems and it's inherent with all of these kind of shows is stuff does actually start to progress, they find some incriminating evidence against Mark and end up arresting him along with many more questions raised around it but we know that if Mark is getting arrested this early on...that it won't be him in the long run and unless some of the stuff introduced here ends up connecting to more important stuff later on, then this basically just counts as filler.
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Although by far I believe Colman stole the show this week. Although at the beginning I rolled my eyes at her and Hardy's continuous squabbling, it was actually fascinating to see how worn down she was by the end. She started the episode as wide-eyed, innocent and hopeful as she always is but by the end she was practically the opposite, she seemed almost practically in the same place Hardy was. What was even more interesting is the show didn't choose to scream symbolism in our faces, this whole arc was delivered simply through throwaway lines and nuanced aspects of Colman's performance. The transition is subtle across the whole episode but Miller is a very different character at the end than she is at the beginning. It gave a real sense of reality to both her character and what is happening around her.
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Karen I think is a window into why Broadchurch works so well as a whole. Minus small atmospheric sequences, there is a lack of sensationalising. Thankfully most of these kinds of stories only ever enter our lives through the newspapers where we read dramatic headlines and unapologetically emotionally charged accounts of the events at the most poorest excuses for Journalism. A murdered child in a small tourist town is obviously the kind of horror story that triggers our strongest emotions and so seeing it all play out from the very epicentre, in such a human and almost dreary fashion gives a real reality to the events. And in turn it's what makes the whole thing so very engaging.
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Pros;
- Beautiful to look at.
- Wonderful performances.
- Detailed character progression.
- Colman.
- Maybe not deliberate but it plays with our perceptions and really reminds us of how little we know at this point, so maybe we should think twice before we start to try and figure everything out.
- It's so very human.
Cons;
- Unless there is more to Mark a majority of this episode was just filler.
Think About It!
-Locke
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