Escape From New York was apparently a big influence on Lockout according to critics, I haven't seen this movie since I was a kid and since I loved Lockout, I thought it'd be worth checking out. Plus it creates a sort of balance of me reviewing sci-fi classics between new releases. Enjoy!
You know you have certain expectations when you go into a film knowing it is a Sci-Fi classic staring Kurt Russell and is directed by the legendary John Carpenter, you know before the 90's happened and he stopped making good films...
Despite seeming like a trashy B-Movie EFNY was written with a little bit of political intent. This was Carpenter's reaction to the Watergate Scandal. Although it would seem it only really got released on the back of the success that was Halloween, almost ten years after Carpenter had written it.
And what do I think? Well let's dig into Escape From New York!
Basically with American crime out of control, in 1988 the government turns their favourite place into a prison for the entire country...for some reason. We've got fifty foot walls, armed guards, choppers and mines all surrounding Manhattan Island. There are however, for some reason, no guards on the inside, leaving the prisoners to make what they will of New York. Logic? It is all bound by one simple rule, once you go in - you don't come out.
Kurt Russell plays Snake Pilssken who is basically a huge fucking badass with an eyepatch - not that the movie gives him much chance to really cement this with some of the worst action I've ever seen. Gorn, eat your heart out. He was a soldier, a fucking good one at that and is in prison because...reasons I guess. He is offered a pardon for all of his criminal actions (well the ones committed on US soil) if he rescues the President within twenty four hours. At first Snake's mission seems fairly simple, since the president has a tracker, only when Snake follows it, he finds the tracker is no longer on the president himself and has 18 hours to try and find the president blind. Oh and also apparently Snake is like some kind of criminal Elvis as basically everyone he meets in prison knows him. It feels like I'm watching a sequel to a movie I haven't seen.
I don't know if they were trying to present a dark future with like all this imperialism or whatever but I didn't care...the prisoners of the US get their own city to do with as they please, that doesn't sound like much of a punishment if you ask me, especially as it's Manhattan Island as opposed to somewhere with more tornadoes or floods or just somewhere not good.
And by God the pacing! The plot is so desperate to get in as much as possible and try and convince itself that it isn't really, really stupid that it keeps stumbling on itself to the point where you wish this was two films because this film is almost completely exposition which merely surrounds, rather than directly impacts the movie.
Overall though, EFNY's biggest sin is that it is just so goddamn boring. We have maybe what, five action scenes throughout the whole film? Which are just normally lowkey chase sequences. Even when actual fighting does happen, it's on such a small scale and is very clunkily edited and badly choreographed, the film just feels so insanely dated and cheap.
So do I recommend it? EFNY is proof you need more than a cool central character and an interesting setting to make a good film. As I can't travel back thirty years I can't honestly argue how much the popularity of the film is simple nostalgia and how much of the failings of the movie are simply through age. But I know that staging and pacing are timeless and it gets both of them wrong. EFNY is cheap, clunky, nonsensical boredom - a waste of an awesome central character and a great setting. Shame.
Think About It!
-Locke
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